Released on June 23, 2009, Apologies Are for the Weak is the debut studio album from American metalcore band Miss May I and is the last record to feature bassist and clean vocalist Josh Gillespie. Produced by the legendary Joey Sturgis, who defined the genre's sound in the late 2000s, the album was recorded at The Foundation Recording Studios in Connersville, Indiana.

In the mid-2000s, the metalcore scene experienced a renaissance. Bands like The Devil Wears Prada, Parkway Drive, and A Day To Remember were pushing the genre into the mainstream. Nestled firmly in this golden era was a five-piece band from Troy, Ohio: .

Recommendations for from the 2009–2012 metalcore boom Share public link

Celebrating 15 years, Miss May I released a re-recorded anniversary edition on October 11, 2024, featuring guest appearances from modern metalcore artists such as Jake Luhrs (August Burns Red), Brian Wille (Currents), and Ryan Kirby (Fit For A King). This updated version brings a new dimension to classic tracks like "Tides" and "Architect".

In 2024, the band celebrated the album's legacy by releasing a 15th-anniversary re-recorded edition. This version, released on August 23, 2024, via Solid State Records, featured a guest appearance from a different metalcore vocalist on every single song, including Jake Luhrs (August Burns Red), Ryan Kirby (Fit For A King), and Garrett Russell (Silent Planet), transforming the record into a full-blown genre celebration.

: Showcases the melodic death metal influences within their metalcore sound.

[Apologies Are for the Weak Archive Structure] ├── Lossless Audio Files (WAV / FLAC) ├── High-Bitrate Digital Audio (320kbps MP3) ├── Digital Album Booklet & Art Assets └── Lyrics Text Metadata

The contrast between Levi Benton’s ferocious, low-end growls and bassist Ryan Neff’s soaring clean choruses set a blueprint for the genre.

Reached #29 on the Billboard Top Heatseekers and #66 on the Top Independent Albums chart.

The title track is a masterclass in rhythm. It embodies the unapologetic, aggressive attitude of the late-2000s hardcore scene, featuring some of the most technical drum patterns on the entire record courtesy of Jerod Boyd. 3. The Digital Era: Why Fans Look for the "Rar" File

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What sets this album apart from its contemporaries is how well it has aged. While many bands from the 2009 era leaned heavily on cheesy synthesizers and heavy autotune, Miss May I relied on classic metal influences, drawing inspiration from bands like As I Lay Dying, In Flames, and Killswitch Engage. This dedication to authentic, riff-driven metalcore ensured that Apologies Are for the Weak remains a respected classic rather than a dated trend. 5. Where to Listen Today

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